ROBERTO
GONZÁLEZ-MONJAS
CONDUCTOR, VIOLIN
Music Director – Galicia Symphony Orchestra
Chief Conductor (from 2024/25) – Mozarteumorchester Salzburg
Principal Conductor – Musikkollegium Winterthur
Principal Guest Conductor – Belgian National Orchestra
Music Director – Iberacademy Orchestra
Honorary Conductor – Dalasinfoniettan
ROBERTO GONZÁLEZ-MONJAS
CONDUCTOR
Music Director –
Galicia Symphony Orchestra
Chief Conductor (from 2024/25) –
Mozarteumorchester Salzburg
Principal Conductor –
Musikkollegium Winterthur
Principal Guest Conductor –
Belgian National Orchestra
Music Director –
Iberacademy Orchestra
Honorary Conductor –
Dalasinfoniettan
ABOUT
Highlights of the 23/24 season include Puccini’s La Bohème at the Opéra de Bordeaux, Bach’s Saint Matthew Passion with the Musikkollegium Winterthur, Respighi’s Roman Trilogy at the Barbican Hall, the world première of Diana Syrse’s “Quetzalcoátl”, a South Korean tour with the Hong Kong Philharmonic, and appearances at the Mozartwoche and the Salzburg Festival with the Mozarteumorchester Salzburg. In the 23/24 season, Roberto makes debuts with the Orchestre National Capitole Toulouse, Netherlands Chamber Orchestra and Swedish Radio Symphony Orchestra, and returns to Orchestre de Chambre de Paris. In the upcoming seasons, Roberto makes further debuts with ensembles such as the Oslo Philharmonic, Orchestre de Paris, Baltimore Symphony and Spanish National Symphony Orchestra, among many others.
Roberto began his career as a solo violinist, orchestral leader and chamber musician, appearing as such in the Salzburg, Grafenegg, Lucerne, Verbier and Lockenhaus Festivals. Roberto frequently collaborates with singers and instrumentalists including Joyce DiDonato, Rolando Villazón, Ian Bostridge, Andrè Schuen, Hilary Hahn, Lisa Batiashvili, Clara Jumi-Kang. Andreas Ottensamer, Fazil Say, Reinhard Goebel, Thomas Quasthoff, András Schiff, Jan Lisiecki, Kirill Gerstein, Yeol Eum Son, Alexandre Kantorow , Paul Lewis, Kit Armstrong, Steven Isserlis and Emmanuel Ceysson.
Passionate and dedicated to education and nurturing new generations of talented musicians, Roberto co-founded Iberacademy (Ibero-American Orchestral Academy) together with conductor Alejandro Posada. This institution aims at creating an efficient and sustainable model of musical education in Latin America, focusing on vulnerable segments of the population and supporting highly talented young musicians. While based in Medellín (Colombia), it also operates in Bolivia, Perú, Chile and Cuba, providing its students with life-changing opportunities. In the same line of work, Roberto embarked on a European tour with the Sinfonía por el Perú orchestra and star tenor Juan Diego Flórez, with concerts at the Salzburg, Lucerne and Gstaad summer Festivals. Roberto also serves as a violin professor at the Guildhall School of Music & Drama and regularly mentors and conducts the Guildhall School Chamber and Symphony Orchestras at the Barbican Hall in London.
“Mozart Serenades”, Roberto’s newest CD recording with the Mozarteumorchester Salzburg for Berlin Classicas, has garnered international praise since its release in Summer 2023. His recordings with the Musikkollegium Winterthur display Roberto’s variety of styles and interests, featuring works by Mozart, Beethoven, Schoeck, Prokofiev, CPE Bach, Tarrodi and Saint-Saens. A frequent collaborator of Berlin Baroque Soloists, Roberto contributed as a soloist to their Sony Classical release of Bach’s Brandenburg Concerti conducted by Reinhard Goebel.
Roberto served as concertmaster of the Orchestra dell’Accademia Nazionale di Santa Cecilia for six years and as the leader of the Musikkollegium Winterthur until summer 2021. He plays a 1710 Giuseppe Guarnieri ‘filius Andreae’ violin kindly loaned to him by five Winterthur families and the Rychenberg Stiftung.
RECENT PRAISE
SAMUEL GONZÁLEZ CASADO
MUNDO CLASICO
“Roberto González-Monjas did it, because he is in a great moment of artistic maturity that allows him to mold a brutal “physical” part (third movement, for example) that also requires absolute devotion to transmit that urban and street paroxysm. The high technical qualities of González-Monjas and especially his compromised attitude are fundamental in this concert, also regarding the delicacy of the Adieu, the care at the time of sewing harmonics and understanding with an orchestral part that has much to express.”
GRAMOPHONE
DAVID THREASHER
“In all it’s 64 minutes’ worth of music, saved from outstaying its welcome by Mozart’s ever-questing ear for an effect, among the most piquant perhaps being the pizzicato passage towards the end of the Andante. It’s played admirably here, under the direction of the well-travelled Roberto González-Monjas”
CRESCENDO MAGAZINE
PATRICE LIEBERMAN
“Roberto González-Monjas is a conductor who knows how to shape a phrase and take care of the details as well as to ensure true symphonic coherence at the head of an orchestra which he has visibly conquered and which he leads with authority and intelligence, ensuring perfect speech clarity at all times … a more than promising young conductor.”
DREH PUNKT KULTUR
HORST REISCHENBÖCK
“Roberto González-Monjas and the Mozarteum Orchester were audibly one heart and soul … brilliantly disposed … everyone was really enthusiastic …”
NEWS
CONTACT
ELENA KOSTOVA
GENERAL MANAGER
+44 (0) 79854 27552
EMAIL
NICHOLAS MATHIAS
GENERAL MANAGER
+44 (0) 20 7957 5800
EMAIL
Bibi Thomas Gándara
ASSISTANT ARTIST MANAGER
O: +44 (0) 20 7957 5831
M: +44 (0) 7981802278
EMAIL